Advanced Typography - Task 3

9 June 2023 - 7 July 2023 / Week 10 - Week 14
Sim Jia Min 0349784
Advanced Typography / Bachelor of Design (Hons) in Creative Media / Taylor's University
Task 3: Type Exploration and Application

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LECTURES

Lectures are done in Task 1

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INSTRUCTIONS (MIB)

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Task 3: Type Exploration and Application

To visitors: the struggling blog author flopped badly at this project so avoid taking this mess as reference lol

 

Instruction:

- Create font: area of interest/specialisation/personalisation/refinement of existing font/experimental material

- Propose at least 3 ideas

- All capital & small letters, and punctuation

- Upload to Fontlab, adjust kerning

- Provide application of how the font can be presented, relate to the core idea and purpose of the font

Figure 1.1: Idea Proposal (Week  9, 31/5/23)

Final Decision: Idea 1

Figure 1.2: Typography in magazine cover title/headline (Week 9, 31/5/23)

As I think that this idea is relevant to my specialisation next semester, which is also the field of my interest, so I decided to develop this idea.

Figure 1.3: "FILM" magazine for typeface expansion (source)

I discovered these amazing magazine covers while scrolling through Twitter, it is a seasonal magazine that was published during the 60s in Japan, with specialised content in film art. The magazine covers fit the general impression of the 1960s, which is an era that is known for its bright, vibrant hues.

The typeface of the title looks very interesting for a magazine, it looks very different from other general magazines. I tried to look up to see if it is an existing font, but seems like it is not, which is why I have developed an idea to do a typeface expansion based on this magazine title.

Figure 1.4: Font dimensions (Week 10, 7/6/23)

Ascender: 700px

Cap line: 650px

X-height: 500px

Descender: -200px

Figure 1.5: First attempt (Week 10, 7/6/23)

I traced the original magazine title and start to develop my typeface based on the characteristic of the original title: A single thick stroke in every letter (either middle or bottom), a combination of rounded corners and pointed corners. Some of the radius corners are overdone in this attempt.

Figure 1.6: Slight refinement (Week 10, 10/6/23)

I change the corner radius to become less rounded than before, but there are still some crafting issues.

Mr Vinod suggested using this for crafting rounded corners in a more concise way:

Figure 1.7: Circles for crafting letters (Week 11, 14/6/23)

It does help a lot in crafting rounded corners, and making all the strokes look more consistent.

Figure 1.8 (left): Font - Bottleneck

Figure 1.9 (right): Bottleneck on magazine cover title 

(Week 11, 14/6/23)

While crafting the letters, I also found a similar font to refer to, it is also used in a magazine cover title called "The Smudge".

For the basic structure of alphabets, I refer to some sans serif typefaces such as Futura, Univers and Helvetica.

Figure 2.1: Anatomy of "X" 

I always thought the letter "x" is just two balanced and symmetrical crossed lines until I read these, there's actually a slight difference between two crossed lines, which took me a while to understand how to build the correct letter "x" in my typeface.

Figure 2.2: Finalised uppercase letters (Week 12, 19/6/23)

Figure 2.3: Lowercase letters (Week 13, 29/6/23)

I struggled a lot with constructing lowercase, as the idea of this whole typeface is from a magazine title in uppercase, so it was kind of difficult for me to imagine how the lowercase will look like. I basically tried my best to use the characteristics of the uppercase (contrast of thin and thick strokes, rounded and pointed corners) and apply them to the lowercase.

Figure 2.4: Numbers and punctuation

The crafting of the numbers is just the same as uppercase and lowercase, while for the punctuation, I decided not to add too much of characteristics of my alphabet letters inside of it because I feel like there's a risk to do the punctuation wrongly if I do not follow the traditional way.

Figure 2.5: Chaotic workspace (Week 14, 5/7/23)

Figure 2.6: Outline view (Week 14, 5/7/23)

Figure 2.7: Upload the letters to Fontlab (Week 14, 6/7/23)

Figure 2.8: Adjust kerning (Week 14, 6/7/23)

Figure 2.9: Testing the alphabet with numbers and punctuation (Week 14, 6/7/23)

Figure 3.1: Pair 1 (Week 14, 6/7/23)

Figure 3.2: Pair 2 (Week 14, 6/7/23)

Presentation of Typeface and Applications

Figure 3.3: Workspace (Week 14, 7/7/23)

As the typeface is an expansion from a 60s magazine, I decided to do applications based on a 60s-inspired fashion magazine.

"Mod" is a major pop culture during the 1960s, it influenced fashion trends a lot, which is called "Mod fashion". It is known for its vibrant colours, which is why I applied vibrant colours to the typeface in the applications, to make it relate to the concept. Therefore, the title of my fictional fashion magazine is "The Mod".

Font promoting

As promoting a font on the internet is a usual process of announcing a newly published font (reference: https://www.instagram.com/pangram.pangram/), here are some design ideas for promoting my font on Instagram: 

Figure 3.4: Font promoting 3 (Week 14, 7/7/23)

Application:

1. Title of the magazine

Figure 3.5: Magazine title (Week 14, 7/7/23)

The vibrant-coloured flower pattern is inspired by the 60s pattern designs I have seen on pinterest, the patterns are usually filled with vibrant hues.

Figure 3.6: 60s pattern design (Week 14, 7/7/23)

2. Magazine covers

Figure 3.7: Magazine cover 1 (Week 14, 7/7/23)

Figures 3.8: Magazine covers 1 (Week 14, 7/7/23)

For making a contrast, I attempt one in monochrome colours while the other one with vibrant colours, also with different kerning of titles to see which ones work better. I personally prefer the right one, as the colourful magazine title with vibrant colour image matches the 1960s more.

3. Magazine content

Figure 3.9: Magazine content (Week 14, 7/7/23)

As the typeface itself looks very stand out with thick strokes, it is also suitable for headlines.

4. Tote bags

Figure 4.1: Tote bag (Week 14, 7/7/23)

Figure 4.2: Tote bag (Week 14, 7/7/23)

5. Business card

Figure 4.3: Business card (Week 14, 7/7/23)

A business card for providing the contact information of The Mod.

6. Billboard

Figure 4.4: Billboard (Week 14, 7/7/23)

A billboard for promoting The Mod e-magazine.

SUBMISSION

Funky Mod font download: https://drive.google.com/file/d/1CnSzNOkP0uUMQe-m79L4JnY2JlzIm_Wn/view?usp=sharing

Figure 4.5: Uppercase & Lowercase (Week 14, 7/7/23)

Figure 4.6: Uppercase - 144pt (Week 14, 7/7/23)

Figure 4.7: Lowercase - 144pt (Week 14, 7/7/23)

Figure 4.8: Number & Punctuation - 144pt (Week 14, 7/7/23)

Figure 4.9: Typefaces in 72, 48, 24 pt (Week 14, 7/7/23)

Figure 5.1: Font promoting 1 (Week 14, 7/7/23)

Figure 5.2: Font promoting 2 (Week 14, 7/7/23)

Figure 5.3 & 5.4: Font promoting 3 (Week 14, 7/7/23)

Figure 5.5: Font promoting 5 (Week 14, 7/7/23)

Figure 5.6: Font promoting 6 (Week 14, 7/7/23)

Figure 5.7: Magazine title design (Week 14, 7/7/23)

Figure 5.8: Magazine cover design 1 (Week 14, 7/7/23)

Figure 5.9: Magazine cover design 2 (Week 14, 7/7/23)

Figure 6.1: Magazine cover designs (Week 14, 7/7/23)

Figure 6.2: Magazine content (Week 14, 7/7/23)

Figure 6.3: Magazine content (Week 14, 7/7/23)

Figure 6.4: Magazine content (Week 14, 7/7/23)

Figure 6.5: Tote bag 1 (Week 14, 7/7/23)

Figure 6.6: Tote bag 2 (Week 14, 7/7/23)

Figure 6.7: Tote bag 3 (Week 14, 7/7/23)

Figure 6.8: Business card - front (Week 14, 7/7/23)

Figure 6.9: Business card - back (Week 14, 7/7/23)

Figure 7.1: Business card (Week 14, 7/7/23)

Figure 7.2: Billboard (Week 14, 7/7/23)

Figure 7.3: Billboard (Week 14, 7/7/23)

Figure 7.4: Promoting font on Instagram (Week 14, 7/7/23)

Figure 7.5: The Mod Instagram Page (Week 14, 7/7/23)

 

Figure 7.6: Typeface Presentation & Applications (Week 14, 7/7/23)

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FEEDBACK

Week 10 

- radius is too strong (exp: the "E" & "F") 

- no stability in structure 

- build the basic structure of the letters first in all same radius, then after adjust the certain radius that needs to be change  

- design wise is fine

Week 11 

General 

- study the design of letter "X", they are not just diagonal line 

Specific 

- crafting issue, exp: C, G, they don't balance well 

- create a grid structure with circles 

Week 12
General 

- consider about how the applications will look like for ur typeface Specific 

- the letter X, V can have one thicker stroke 

- letter S can be more rounded on the upper part 

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REFLECTION

Experience: This is probably the most challenging task I have ever dealt with, constructing letters really takes lots of time and patience. But I like how the task allows us to have freedom in deciding what design direction are we going for. For me, I chose a direction that is related to my specialisation in graphic design, making a font that can be applied to magazine titles, headlines, or other editorial-related media. This direction is something that I am interested in, which makes the experience less stressful. I am quite happy to be able to finish the task despite how challenging it is. 

Observation: For my lowercase letters, I realised that starting with the letter "o" really gives me some convenience in constructing other letters. Also the slight difference of the strokes in letter "x" fascinated me, because it is very unnoticeable unless you really zoom in and observe it. When constructing the letterforms, I was also referring to the other sans serif typeface like Futura, Univers, and Helvetica, I have observed minor details that I never noticed before, which helped me a lot in constructing the letterforms.

Findings: This task certainly has some technical aspects that I hadn't considered before. For example, I learned about the importance of consistent x-height across all letters to maintain visual harmony. I also discovered the significance of proper kerning and letter spacing to ensure optimal legibility and readability. These findings have made me more aware of the intricate details that go into creating a well-designed font. Another interesting finding was the impact of font weight and variation on the overall aesthetics of the typeface. I experimented with different weights and explored how they can evoke different moods and convey varying levels of emphasis.

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FURTHER READING

Figure 5.6: Typographic Design: Form & Communication (2015)

Reference: Carter, R., Day, B., Meggs, P. B., Maxa, S., & Sanders, M. (2015). Typographic design: Form and communication. Hoboken, New Jersey: John Wiley & Sons, Inc.

Typographic syntax - line:

- Verbal sentences and typographic lines are formed by joining words together
- A line of type consists of a single point size and weight extended horizontally
- Lines can be arranged symmetrically or asymmetrically
- Small changes in point size, weight, or line length affect emphasis
- Typeface selection, alignments, and spacing show visible and distinct connections
- Lines of type: equal, unequal, or centered length.
- Typographic alignments: Bring liveliness and harmony to form, activating the space
- Adjustments and refinements: Enhance unity and coherence of typographic elements